Anthropology has two main tasks: to understand what it is to be human and to examine how humanity is manifested differently in the diversity of culture. These tasks have gained new impetus from the extraordinary rise of the digital. This book brings together several key anthropologists working with digital culture to demonstrate just how productive an anthropological approach t...(展开全部)

Turning an anthropological eye toward cyberspace, Human No More explores how conditions of the online world shape identity, place, culture, and death within virtual communities. Online worlds have recently thrown into question the traditional anthropological conception of place-based ethnography. They break definitions, blur distinctions, and force us to rethink the notion of t...(展开全部)

诺伯特·罗兰，1948年生，法兰西大学学院院士，马赛第三大学法学院教授。研究领域为罗马法、法律史、法律人类学、少数民族法、土著人法。代表著作有《法律人类学》《差异的权利》《少数人权利与土著人民》《罗马，一个不可能的民主国家？》等。 刘云飞，云南大学法学博士，贵州财经大学法学院副教授。

Synopsis: Appropriate for introductory courses in Cultural Anthropology. The Ninth Edition represents the most comprehensive revision to date--reflecting the most recent anthropological research and controversial developments and integrating new features in each chapter aimed at sparking and maintaining student interest. Product Description: This work offers an introduction to ...(展开全部)

卡罗尔·R.恩贝尔 哈佛大学人类学博士，跟随约翰·怀廷和比阿特丽斯·怀廷学习人类学。 她在肯尼亚卢奥人中开展性别研究，随后对婚姻、家庭、继嗣群体等进行跨文化研究。 1996年以来，她先后担任耶鲁大学非营利性研究机构人类关系区域档案公司的执行理事、代理总裁。 梅尔文·恩贝尔 耶鲁大学人类学博士，跟随乔治·彼得·默多克学习人类学。 他在美属萨摩亚人中开展田野研究，研究商业化对政治生活的影响。 从1987年到2009年去世，他一直担任人类关系区域档案公司总裁。 译者简介： 王晴锋 浙江绍兴人，北京大学社会学博士。 现为中国农业大学人文与发展学院副教授、博士生导师，主要从事微观社会学理论和性别研究。

狄波拉·勒普顿（Deborah Lupton），新南威尔士大学健康社会研究中心和社会政策研究中心教授，澳大利亚社会科学院院士。她拥有社会学、传媒和文化研究的多重学术背景，并在研究中结合了创新式的定性研究方法与社会文化理论。著有《数字社会学》《量化自我》《风险》等。她还是知名学 术博客“社会学生活”（This Sociological Life）的作者。 王明玉，清华大学社会学系博士研究生，研究方向为数字社会学、风险与社会治理。

Digital technology has revolutionized the way we produce and experience art today. Not only have traditional forms of art such as printing, painting, photography and sculpture been transformed by digital techniques and media, but entirely new forms such as net art, software art, digital installation and virtual reality have emerged as recognized artistic practices, collected by...(展开全部)

The aesthetic nature and purposes of computer culture in the contemporary world are investigated in this book. Sean Cubitt casts a cool eye on the claims of cybertopians, tracing the globalization of the new medium and enquiring into its effects on subjectivity and sociality. Drawing on historical scholarship, philosophical aesthetics and the literature of cyberculture, the au...(展开全部)

Digital technology has revolutionized the way we produce and experience art today. Not only have traditional forms of art such as printing, painting, photography, and sculpture been transformed by digital techniques and media, but the emergence of entirely new forms such as internet and software art, digital installation, and virtual reality has forever changed the way we defin...(展开全部)